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Le sculture in Bronzo di
J. Seward Johnson


Montecarlo

Aprile - Ottobre 2003

Scheda dell'artista >>

Catalogo on line delle opere >>


Mostre in Europa

Seward Johnson è stato l' unico scultore scelto a rappresentare gli Stati Uniti all'Expo (Esposizione Internazionale) a Siviglia in Spagna. Le sue figure replicanti , durante questa esposizione, vennero collocate nel Pavilion U.S. e nella residenza del consolato.

L'artista è stato selezionato dalla United States Information Agency, a questo importante titolo.

 

Attualmente, una mostra di 20 sculture di Johnson è in giro in tutta l'Europa Occidentale.

Il primo spazio ad ospitarle, il Gulbenkian Museum a Lisbona, in Portogallo, poi Villa Vauban Museum in Lussemburgo, la città di Heidelburg in Germania e Madrid in Spagna.

L'esposizione è stata portata allo storico Palazzo Querini Stampalia a Venezia durante la Biennale, prima di essere a Milano e a Roma.

In Svizzera nel Le Mirador Resort su lago di Ginevra, per continuare il viaggio in Irlanda, a Dublino.

Le sculture verranno a breve presentate in altre città dell'Europa nei prossimi due anni: Londra, Bruxelles e Monte Carlo.

 

Gli sponsor per questa esibizione sono: Lufthansa German Airlines, The Gulbelkian Foundation, The United States Embassy of Luxembourg; The American Bankers Club, Du Pont de Nemours S.A., General Motors of Luxembourg Operations S.A., Goodyear S.A., International Metals S.A., United States Information Agency, American Bankers Club, Hotel Hirschgasse, Cultural Ministry of Madrid, Tabacalera, S.A., Lord Byron Hotels, Manfredi Jewels, Agrofina, Le Mirador Resort Hotel, Spa and Conference Center, Tourism Board of Hannover, Adlon Hotel of Berlin e Benetton.

 

Principe Alberto di Monaco, Gloria Porcella

Gloria Porcella e Gheddafi

Principato di Monaco

Principe Alberto di Monaco, Gloria Porcella

Principe Alberto di Monaco, Gloria Porcella


PAULA STOEKE
FOTO

15-20 ottobre
Montecarlo c/o Maretti Arte Monaco

 

Myth & Memory The Veiled Nudes

Artist's Statement

This body of work is culled from the past two years of my photographs of nudes, all taken with a purposeful overlay of visual and psychological veils. The figures appear lush, sensual, and appealing to the touch - yet the veil - either literal or metaphorically produced with diffused film choices and in-camera multiple exposures - does not permit the viewer to get close. In life we all have hiding places; emotional guards, ways of keeping the rest of the world at arm's length. In this work I am examining with myself, and hopefully with others who may identify with the images, the ways in which we are schooled to retain this privacy/secrecy. Ways in which we are taught and encouraged to remain coy and provocative yet innocent of a true or open nature. I have purposefully worked toward making photographs that have a beauty that draws one in. Once engaged, I hope to create a potent layer of sensuality combined with lack of ease for the viewer. A combination that conflicts with the pleasure and beauty presented by the nude. Through the use of uniquely grainy diffused film and the printing of these works on a fine archival watercolour paper, I have sought to suggest the look and feel of my works in pigment washes. I am very pleased with the resulting softness and the moodiness of the images. Using photographic based matter - hence living people - has added an element beyond the painted page. A camera can capture a precise and entirely individualized emotion such as the pride and regal quality that is evident in Alexander's face, or the vulnerability of the exposed female torso in "Isadora". The series is now expanding beyond nudes into further symbolic works of landscape and still life. The same hushed quality is present. They are the places where secrets lie still.

Paula
A. Stoeke

 

Paula Stoeke photographs

Los Angeles photographer and painter Paula Stoeke has been using the dual media of watercolors and photography for over twenty years to express what one critic called her "visual poetry".

This exhibit introduces this artist's work in an appealing presentation of photographs printed on watercolor paper.

This format (Giclee) is especially well suited to Stoeke's often soft focus multi-layered images that can be compared to a series of watercolor washes over her sensual nudes.

The photographs in this show might be described as casting a dreamlike silence. The figures are alive - their flesh is touchable - yet they drift out of the frame in a ghostly trance, or hold our attention like a hushed whisper. In contrast to this ethereal quality, there is also a formal and exacting knowledge of composition at work. The strictness of color and shape placement, reminiscent of a Japanese screen print, anchors each frame lending these apparitions an unexpected grounding and substance.

For Stoeke, often, the camera's mechanistic limitations, as well as the standard printing formats for photography have proven to be a frustration. "The coated stock papers have always had a plastic quality that is very unappealing to me; very sterile. That slick surface enhances photographs with a hard edge but is antithetical to my choice of subjects and to the way I see them. I have tried, over the years, many experimental techniques in an attempt to bring more of a painterly quality, a softer more easily manipulated surface, to my photographic work.

This work, printed on traditional soft-faced watercolor paper, comes closest to a gentle marriage of the two disciplines; the layering and precision that you can achieve from film, with the liquidity of a paint brush rich with water and pigment." Paula Stoeke has shown extensively in the United States, and last year in Rome.

This will be her inaugural exhibition in Monaco. Works from this series "Myth & Memory" will be opening at the Galerie Maretti Arte Monaco 15 October to 20 October 2003.
There will be a vernisage, open to media and invited guests, on the evening of the 15th from 18h30.

The artist will be present and available for interviews at that time or by appointment through the gallery.